It was a topic that could not be discussed. “Japanese creative artists, filmmakers, novelists and so forth really couldn't talk about the atomic bombings. The screen depicted what many could not explicitly say.
#American atomic bombings of hiroshima and nagasaki movie#
The movie served as a strong political statement, representative of the traumas and anxieties of the Japanese people in an era when censorship was extensive in Japan because of the American occupation of the country after the war ended, Tsutsui said. 6 and Nagasaki three days later, and while many Americans today think of the film as an almost campy relic of its time, it was intended in Japan to be a metaphor for the ills of atomic testing and the use of nuclear weapons, considering what Japan endured after the bombings. This month is the 75th anniversary of the U.S.
The stark contrast reflects how Hollywood took the Japanese concept and scrubbed it of its political message before presenting it to American audiences to deflect from the U.S. “Most Americans think if you left the movie in tears, it was just because you laughed so hard,” William Tsutsui, author of “Godzilla on My Mind: Fifty Years of the King of Monsters,” told NBC Asian America. American audiences, however, had the opposite reaction, finding comedic value in what many interpreted as a cheesy monster movie.
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